Pakistani-American artist Anila Quayyum Agha uses light and cast shadow to transform Rice Gallery into a sacred space of her own making that is open to all.
“Intersections” is inspired by Agha’s seminal experience of exclusion as a woman from Mosques, a space of community and creativity, while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, a palace where Islamic and Western discourses met and co-existed in harmony, and serves as a metaphor of union.
