Disclaimer | This article may contain affiliate links, this means that at no cost to you, we may receive a small commission for qualifying purchases.
Moshe Safdie seems to be reflecting on his long career these days as well as the more general evolutions in the discipline and practice of architecture over the last five decades. An exhibition of his work entitled Global Citizen: The Architecture of Moshe Safdie is currently at the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Curated by Donald Albrecht, it is the third and final venue after touring two other Safdie-designed projects: the National Gallery of Canada in Ottawa and the Skirball Cultural Center in Los Angeles. In conjunction with the exhibition, Safdie spent the day of June 25th at Crystal Bridges giving an informal talk in the morning in the museum’s glazed restaurant, a gallery tour in the afternoon that included the Global Citizen exhibition, and a more formal and comprehensive illustrated lecture in the evening in the museum’s Great Hall that is a sort of glazed peninsula projecting into the water.
The roughly two-dozen projects exhibited in Global Citizen are of varied sizes, types, and scales. While generally global in their geographical distribution, they are located primarily in North America, Jerusalem, and Asia. The work is divided into five sections that are dispersed throughout the building. Projects are organized by place and theme rather than chronologically, and visitors discover the exhibition little by little among the works of the permanent collection. Though somewhat unorthodox as an itinerary it is unlikely that any part of the exhibition will be missed since there is virtually a single, prescribed path through the galleries of Crystal Bridges.