Ondřej Chybík and Michal Krištof are Czech architects and co-founders of the architecture firm CHYBIK + KRISTOF, renowned for their innovative approach to urban design, revitalization, and adaptive reuse. Known for creating socially and environmentally conscious spaces, their work emphasizes enhancing public interaction while respecting the historical and cultural context of each project.
The firm has garnered attention for projects such as the Jihlava Multipurpose Arena and Mendel’s Greenhouse, which reflect a philosophy of blending scientific inspiration with architectural innovation. Chybík and Krištof have emerged as leading figures in Czech architecture, with their designs celebrated for their thoughtful balance of creativity and functionality.
Their first monograph, Crafting Character, published in 2023, highlights their dedication to redefining urban identities through innovative solutions that resonate with both communities and clients. While CHYBIK + KRISTOF continues to shape the architectural landscape with landmark projects like the largest timber construction in the Czech Republic—the new Czech Forestry Headquarters—this interview focuses exclusively on the perspectives and insights of Ondřej Chybík.
What inspires you?
For me, inspiration is unique to each project. It often begins with the very first site visit, whether it’s a blank canvas or an existing building that needs transformation. I draw a lot of inspiration from the surrounding context, as well as from meeting and talking with people. It’s not just about the direct clients and stakeholders; understanding the community for whom the building is intended is just as important. Those initial interactions are a great source of inspiration. From the very first sketch, our goal is to identify a problem that can be resolved through thoughtful design, ensuring we deliver the best possible outcome.
What inspired you to become an architect?
I chose architecture for several reasons, but in some ways, I feel like it also chose me. I grew up in a construction family, with both of my parents educated in the field. When I was 11, I visited a public library in my hometown and saw a project by an architecture student redesigning the city’s main square. This was in the mid-’90s, a time when the Czech Republic was undergoing significant development after a recent system change. The student’s project revealed the potential beauty of the square, and something about it felt magical to me.
How would you describe your design philosophy?
At its core, our design philosophy centers around the creative reuse of cities and the revitalization of urban spaces. Then, in every project, we focus on “Crafting Character”—a concept we explored in depth in our first monograph, published at the end of 2023 under the same title. This approach is about developing a unique identity for each space. We believe that even the most conservative projects deserve something special—a public function or a distinct feature that adds value to the community. Our goal is to respect the existing context while enhancing it, blending innovation with sensitivity to history, culture, and the people who will interact with the space.
What is your favorite project?
From works by other architects, my favorite is the Ještěd TV Tower in Liberec, Czech Republic. Among the projects developed by our studio, my current favorite is the Jihlava Multipurpose Arena. Its primary function is as an ice hockey stadium, but it also serves as a multifunctional space, surrounded by high-quality public areas and featuring many playful design elements. The arena is currently under construction, and it’s exciting to see it come to life. We are on track to close the roof before winter, with the entire project scheduled for completion in autumn 2025.
What is your favorite architectural detail?
One of my favorite details we developed at the office is the structural design of Mendel’s Greenhouse, inspired by Gregor Mendel’s principles of heredity. The steel framework mimics the branching of DNA sequences and chromosomes, while the modular grid reflects Mendel’s methodical approach to genetics. This detail serves a functional purpose and symbolizes Mendel’s legacy, blending science and architecture in a visually striking way. Incorporating this concept into the design was both challenging and fun.
Do you have a favorite material?
My preference for materials changes with each project’s needs, but I have a deep appreciation for wood. It’s a versatile, renewable material that brings warmth and natural beauty to any space. We’re currently working on the largest timber-made building in the Czech Republic, the new headquarters for Czech Forestry. Wood’s tactile qualities and environmental benefits allow us to create spaces that feel connected to nature while also pushing the boundaries of design.
What is your process for starting a new project?
I begin by analyzing the site’s context, focusing on its urban surroundings and how the project can enhance the environment. Then, through initial sketches, I explore design ideas and identify key problems to solve. The goal is always to balance creativity with practical solutions that add value to both the space and the community.
How do you balance function and creativity in your designs?
I see function and creativity as complementary. Function is the foundation—it solves practical needs—while creativity brings the design to life, adding unique value and character. I ensure that every creative decision enhances functionality, resulting in spaces that are both efficient and inspiring.
How does the environment influence your work?
The environment is always at the heart of our designs. I consider the natural surroundings, climate, and how light interacts with the space to create buildings that harmonize with their setting. Climate-conscious design is integral to every project, as we aim to minimize environmental impact while enhancing the connection between the building and its surroundings.
How do you collaborate with clients to achieve their vision?
Communication is essential to our process. We hold regular meetings—both on-site and in the studio—where we explore ideas using models, sketches, videos, and renders to effectively convey our design direction. Clients often come to us because they value our unique vision and creativity, and we appreciate the opportunity to guide them toward innovative solutions that exceed their expectations. It’s a collaborative journey built on trust, where we blend our expertise with their insights to create designs that stand out.
What inspired the Gallery of Furniture?
The inspiration for the Gallery of Furniture came from the need to transform the existing car showroom, a typical “non-architectural” structure from the 1990s, into a space that communicated its new function. We aimed to create a sculptural façade that would spark curiosity among local residents while requiring minimal alteration to the original building. By using the client’s most popular product, the Vincenza chair, we clad the façade with 900 black plastic seats, allowing the structure to embody the essence of the brand.
How did materiality shape the design of the Gallery of Furniture?
Materiality was pivotal in shaping the Gallery of Furniture’s identity. The choice to use 900 Vincenza chair seats for the cladding not only conveyed the gallery’s purpose but also drew attention and generated conversation within the community. This expressive design naturally engages passersby, inviting them to interact with the building. As we love to open a dialogue about architecture, it’s gratifying to see that it’s now happening naturally.
What advice would you give to young architects?
Where there’s a will, there’s a way! Architecture is a multidisciplinary field, and as architects, we often wear many hats. So stay curious, keep learning, and don’t hesitate to spark dialogue along the way.
